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Hormis la majuscule à la première lettre, ne pas utiliser la majuscule.&#13;
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Si la lettre a plusieurs destinataires, mettre un nom par entrée. &#13;
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                <text>contient une photo</text>
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Lettre, carte postale, photo, etc. (correspondance)&#13;
Photographie, diapositive, etc. (iconographie)&#13;
Passeport, carte d'identité, répertoire, agenda, etc. (dossier biographique)&#13;
Journal, magazine, revue, etc. (presse)</description>
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&#13;
Indiquer où est hébergé le document et le nom du fonds, avec l’adresse précise si possible.</description>
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Inédit.&#13;
Nom, Prénom (de l’auteur), Titre de la publication, Lieu, Maison d’édition, Date.&#13;
Indiquer volume, tome ou collection si nécessaire….&#13;
&#13;
Une entrée par édition</description>
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Papier, carnet, feuillet&#13;
Carte plastifiée (dossier biographique), négatif, etc. (iconographie)&#13;
Autre support : enregistrement sonore, vidéo, etc.</description>
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                <text>Montericco, near Imola &lt;br /&gt;Sept 27. XXV &lt;br /&gt;Dearest Mary, you will want to know my further adventures ? I think I wrote you from Zurich, telling you how I had crumpled up &lt;span style="text-decoration: line-through;"&gt;in&lt;/span&gt; after the night journey and had to take a day in bed in my Swiss friend’s most hospitable châlet by the lake. It was only a bad chill, and I was all right next day. And the restfulness of the little white, student’s room (for &lt;span style="text-decoration: line-through;"&gt;it&lt;/span&gt; my friend’s elder son had been turned out for my benefit) with the boy’s books, his foil and neat skull on the porcelain stove. The sense of &lt;em&gt;not going on&lt;/em&gt; was inexpressibly delicious. It is a bore for everyone else, being ill in the house of a friend but there is something nice about it one has’nt in one’s own house. Well! the sense of kindness. And my Swiss friend, who might be - almost my granddaughter, was enchantingly motherly. &lt;br /&gt;My journey was further interrupted by a breakdown of the engine on the Gothard. I arrived in Milan in time to see my train departing for Bologna. I had to go from hotel to hotel begging for a room. And when I got one it was’nt inviting. But I &lt;span style="text-decoration: line-through;"&gt;m&lt;/span&gt; presumed it was a piece of good luck, took a taxi and drove to Sant Ambrogio and the Duomo, and what was better, slept like a sack that night to the clanking and tootling of innumerable tram’s raging round. I was so pleased with myself that next day I actually changed trains twice in order to get two hours at Modena to see the cathedral. I have’nt done anything so adventurous except in Mabel Price’s company for nearly thirty years, and this sense was better than the cathedral, though the cathedral was good. &lt;br /&gt;But as a result of it all, and of the endless chatter and vociferation of Italian hospitality, and also the sudden plunge back into a kind of summer, I am quite imbecile, and must beg forgiveness for this inane letter. &lt;br /&gt;This is a great four-square brick villa, tower-shaped and with a fortress-like buttress, among vineyards and thin woods of oak and cypress on the very lowest spurs of the Apennine near Bologna - the great Venetian place in front of a Pier della Francesca landscape of peaks and dentellations, pale like his pictures, blue and dun, behind. And belongs to Maria Pasolini’s younger son, with charming wife and endless children and nephews and nieces. On Thursday I shall at last get home to my servants and my doctor and I hope my work ! Dear Mary, how can I thank for your dear news ? Yrs V. &lt;br /&gt;[postcard] Imagine the first floor the height of a Paris 3d, the rest to match</text>
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                <text>Bon</text>
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                  <text>Lettre de Vernon Lee à Mary Robinson - 27 septembre 1925</text>
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Photographie, diapositive, etc. (iconographie)&#13;
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                <text>&lt;div style="text-align: justify;"&gt;Nov. 23. XXV&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;R6&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Very dear Mary. This should be all about your &lt;em&gt;Racine&lt;/em&gt;, but it just is’nt, for my squirrel’s habits are making me hoard that book alone with one or two others against the icy rainy days &lt;span style="text-decoration: line-through;"&gt;whi&lt;/span&gt; which &lt;em&gt;must&lt;/em&gt; come. (At present the vines and poplars are still divinely golden all round and the drives &amp;amp; roads we used to call “Johnnies” after J.S.S.) are putting on vivid streaks after their summer languor). &lt;br /&gt;Well -- I am writing, my dear, to bore you to get the enclosed cheque cashed at your leisures ! and (even more at your leisure !) hand the French equivalent to &lt;em&gt;Fernande&lt;/em&gt; Dauriac. She would find it difficult to cash an English cheque. Also I am anxious not to be sending &lt;em&gt;any&lt;/em&gt; money to her or her Paris milieu, which the papers there are perpetually denouncing as a nest of… well ! free masons.&lt;br /&gt;And ask her, dearest, on no account to write me thanks or make any allusion to it, as her letters are probably opened on arrival by the Tcheka. And tell her, dear, &lt;em&gt;not&lt;/em&gt; to discuss her affairs as she does in a letter received today, she’s very imprudent or I am very cowardly ! &lt;br /&gt;Also, will you be an angel? -- &lt;em&gt;you&lt;/em&gt; can say such things gently and tactfully -- that the pennies are &lt;em&gt;solely&lt;/em&gt; for household expenses or cabs or doctors, in fact to grease their poor wheels, but on no account for any kind of propaganda. I feel more and more that the latter is a relief to their feelings, quite useless in the face of such odds, and possibly getting other people into scrapes. (I feel a horror for the &lt;span style="text-decoration: line-through;"&gt;notion&lt;/span&gt; notion that because A. is willing to risk &lt;span style="text-decoration: line-through;"&gt;a&lt;/span&gt; his skin he has a right to &lt;span style="text-decoration: line-through;"&gt;make&lt;/span&gt; ˆinduceˆ B. to do alike. More and more I am a passive resister, but a resister. And I liked her husband’s resignation immensely. It is a case of Manzoni’s “non far tregua coi vili”. Forgive if this is inflicting a bother &amp;amp; please curb that admirable &amp;amp; interesting but rather indiscreet and over personal friend of ours ! &lt;br /&gt;I have been hunting for Sargent letters. Flora Priestley came for two nights &amp;amp; went through packets &amp;amp; packets, finding a lot of very charming little letters I had completely forgotten ! Incidentally, I had to open some parcels of my own letters to some people in the 80s. Lord ! what a dull, dull (and quite “literary gossipy”&amp;nbsp;Villarish young prig I was. I cannot believe that John’s oil sketch of me could have been like me &lt;em&gt;&lt;span style="text-decoration: underline;"&gt;then&lt;/span&gt;&lt;/em&gt; ! But what these letters show in their dullness (shades of Fanny Burney etc etc !) is &lt;em&gt;your&lt;/em&gt; marvellous sweetness and dearness and how much my mother, who heaven knows was not easy to deal with, loved you. Does everyone think he or she is &lt;span style="text-decoration: line-through;"&gt;to&lt;/span&gt; more tolerable at 70 than at 20 ? It would be a kind of posthumous purification like wings and harps and white garments ! &lt;br /&gt;I am still rather a rag, quite unable to work, and falling back on - of all things - five finger exercises and the difficult passages in Mozart’s quartets. Tell Mathilde ! &lt;br /&gt;Your Noufflards are angelic new friends ! Them also I owe to you and to Mabel. &lt;br /&gt;My love to her and forgive my troubling you. Yrs Vernon&lt;/div&gt;</text>
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                <text>Dec. 15 XXV R6&#13;
&lt;div style="text-align: justify;"&gt;Dearest Mary. I hav’nt yet finished your &lt;em&gt;Racine&lt;/em&gt;, but I want to tell you my indignation and loathing for the brute = fool reviewer in the &lt;em&gt;Statesman&lt;/em&gt;. It’s merely a display of &lt;span style="text-decoration: underline;"&gt;&lt;em&gt;his&lt;/em&gt;&lt;/span&gt; having read a book about Racine which you don’t happen to mention ; on a par with the way reviewers correct one’s lapsus calami and (as so often !) one’s printer’s errors. Your book, my dear, is a beautiful, interesting, &lt;em&gt;most persuasive&lt;/em&gt; (I mean that you make one take &lt;em&gt;your&lt;/em&gt; view) a most delightful one. And I who say it am very ill-disposed to the Grand Siècle and all its works (except Molière of course! [and] La Fontaine, who owe nothing to it ; as you know Louis XIV is &lt;span style="text-decoration: line-through;"&gt;my&lt;/span&gt; &lt;span style="text-decoration: line-through;"&gt;a&lt;/span&gt; in [without] Patterns to me -- &lt;span style="text-decoration: line-through;"&gt;un&lt;/span&gt; and I cannot &lt;em&gt;see&lt;/em&gt; -- or hear, in Racine anything beyond a (forgive the x sacrilegious words!) local celebrity suited exclusively for home-consumption (your translations often seem ever so much more interesting than the original French verse ! You have given colour, gesture, individuality -- &lt;span style="text-decoration: line-through;"&gt;but&lt;/span&gt; &lt;em&gt;is that because I am English&lt;/em&gt; ?) What I want to say is that your work is wonderfully &lt;em&gt;delightful --&lt;/em&gt; I can find no other word. I was ill-disposed towards it owing to &lt;span style="text-decoration: line-through;"&gt;my av&lt;/span&gt; Racine boring me. And I have really had difficulties in letting the book go, refraining from it at undue moments : I have read it in &lt;span style="text-decoration: line-through;"&gt;the&lt;/span&gt; at meals -- the greatest of compliments, especially while having my solitary tea on the landing which is my winter sittingroom (it sounds cheerless but &lt;span style="text-decoration: underline;"&gt;&lt;em&gt;is&lt;/em&gt;&lt;/span&gt; delightful, warmed by the invisible calorifère and by the sun (when there &lt;span style="text-decoration: underline;"&gt;&lt;em&gt;is&lt;/em&gt;&lt;/span&gt; sun) through a big south window &amp;amp; with a view of Fiesole over cypresses through the (double!) window to the north), and of an evening, by the wood fire in my study, I have found myself (tell it not in [Path] !) laying down &lt;em&gt;Le Côté de Guermantes&lt;/em&gt; to read &lt;em&gt;&lt;span style="text-decoration: underline;"&gt;you&lt;/span&gt;&lt;/em&gt;. By the way this course of (borrowed from Berenson) Proust may account for my involuted style….&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;Dear Mary, your book is delightful ! And I believe every word of it.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;&lt;span style="text-decoration: line-through;"&gt;And&lt;/span&gt; And it is varied &lt;span style="text-decoration: line-through;"&gt;&amp;amp; alive&lt;/span&gt; : the terrible chapters on the Poisoning scare after the sweetness of Port Royal. ˆYour Racine is perfectly intelligible.ˆ The way you have brought in your &lt;em&gt;Comparses&lt;/em&gt; Madame, Mme de Sévigné, St Cyr etc etc -- Boileau -- all alive.&lt;/div&gt;&#13;
&lt;div style="text-align: justify;"&gt;In short I am very grateful for the pleasure your book is giving me; grateful also for the way you have carried out that tiresome money commission. Grateful for your affection and &lt;em&gt;excellence&lt;/em&gt; dearest Mary. Indeed only one subject for gratitude is still lacking me, viz : that you should come and stay with me under this little roof not shown in this photograph and sit on this bench under the cypresses occupied by the photographer Grizel Bonde. My love and best wishes to Mabel.&lt;/div&gt;&#13;
Yours Vernon &lt;br /&gt;&lt;br /&gt;[caption] Cypresses at end of my grasswalk &amp;amp; towered Villa of Maiano in the distance ; these cypresses are about 200 metres from my house.</text>
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                  <text>Lettre de Vernon Lee à Mary Robinson - 15 décembre 1925</text>
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                  <text>Critique favorable de la biographie de Racine par Mary Duclaux</text>
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                  <text>Fiche : Holographical-Lee, Sophie Geoffroy, Université de La Réunion ; projet EMAN (Thalim, ENS-CNRS-Sorbonne nouvelle). Licence Creative Commons Attribution – Partage à l’Identique 3.0 (CC BY-SA 3.0 FR)</text>
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